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		<description>I&#39;m a guy who writes words and music and thinks excessively about why things are how they are. It&#39;s a curse, really.</description>
		<copyright>Copyright 2026 Scott</copyright>
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				<title>First Musical Steps</title>
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				<pubDate>Mon, 03 Aug 2026 11:41:03 -0400</pubDate>
				
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				<description><![CDATA[<p><strong>Track:</strong> <em>Untitled (Origin 002)</em></p>
<p>After experimenting a little, I&rsquo;ve settled on a method and workflow for &ldquo;journaling through music&rdquo;.</p>
<p>The first step is sitting at the piano downstairs and coming up with a concept or sketch — this is the most important part because it anchors the DNA of the music before I start generating any material with AI. It can be a few measures, a melody, a harmonic structure, whatever I feel like putting down that day. It feels like reaching inside of myself to take a fistful of expression, shoving it into the giant swirling mass of all of humanity&rsquo;s recorded music history, and getting something back that is new, but still unmistakably mine at its root. I need to do a full post sometime about how strange and fascinating this concept is.</p>
<p>The second step is generating a bunch of material with different prompts, and discovering what instruments, styles, mixes, genres and other influencing factors get compelling results. A lot of this goes into the trash right away, and I only keep things that feel inspiring to work with. For this first piece, I ended up keeping about ten generated tracks or so as source material.</p>
<p>For the third step, I split all of the source material into individual stems so that I can further refine, weed out and hone in on exactly what instruments and phrases I want to use to build the piece. All of these go into a folder, almost like a sound library. The great thing is, the pieces and parts are all fairly homogeneous because they all share the DNA of the sketch.</p>
<p>Then I hop into Logic Pro and start assembling the music. It&rsquo;s very iterative, and things eventually take shape as I move parts around, edit, cut, listen and try to arrive at something interesting and coherent. I could also add new material in using VSTs or recordings if I wanted to (I didn&rsquo;t do that for this first attempt). There&rsquo;s no limit really — I could even export the results and use that to generate another batch of material with AI. It&rsquo;s an incredibly powerful production engine.</p>
<p>I&rsquo;m naming each sketch with an origin number, in case I want to re-use them in future pieces of music (like a genealogy or something). I&rsquo;m not sure about titles yet since it&rsquo;s a journal, but maybe I&rsquo;ll come up with an album name for each year so they are in collections. I don&rsquo;t really know for sure yet.</p>
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